New Year’s Eve is the only holiday with so much built-in pressure that even those standing under the ball in Times Square are ...

The history of recorded music is now at our fingertips. But the streamer’s algorithmic skill at giving us what we like may ...

Charlie Brown sighs and continues walking, alone. He comes upon Snoopy decorating his doghouse with Trump paraphernalia. The ...

Our basic sense of right and wrong appears to be the product of blind evolution. The hard question is how unsettling that ...

In the guise of a straightforward series of concert performances, the director Murray Lerner has crafted a canny, revelatory ...

To lure him out, you can always try leaving a trail of pages from a compelling screenplay that leads him right out your front ...

Investors’ enthusiasm for A.I. has converted some longtime Wall Street bears into optimists. Jeremy Grantham is still waiting ...

TV’s preëminent office guy has never worked a “regular nine-to-five,” but his years as a struggling actor taught him what ...

Inkoo Kang reviews new espionage shows. Plus: an amateur U.F.O. hunter; the choreography of Kyle Abraham; and an early Annie ...

Sky-watchers note: New Jersey has a history of hoaxes. The Great Morristown U.F.O. Hoax—in which two men attached red flares ...

Robert Eggers’s take expands significantly on the 1922 classic—and makes a pivotal change, with sickening implications.

Peter Gelb thinks “experimental” music leads to dwindling audiences, but performances around the country suggest otherwise.