"The Wild Robot” opened No. 1 in theaters nationwide this weekend, riding in on a wave of critical acclaim. The movie's release coincides with the DreamWorks Animation's 30th anniversary.

Undoubtedly it’s easier for animation studios to have an in-house style, but this isn’t the path DreamWorks Animation decided to take when adapting the illustrated children’s novel The Wild Robot by Peter Brown, where a ROZZUM unit 7134 robot gets stranded on an isolated island teeming with wildlife.

In the opening scenes of “The Wild Robot,” a chirpy metal android with a state-of-the-art processing unit wanders around a forest asking confused animals if it can help them, offering discount codes and stickers for future customers. “Did anyone order me?” it asks.

NOTE: This review is partially adapted from my reaction to The Wild Robot following its premiere at the Toronto International Film Festival] Crafting stakes is complicated territory for a film targeted at audiences of all ages.

DreamWorks’ The Wild Robot — from How to Train Your Dragon director Chris Sanders — is the best animated movie of the year.

September ended with quite a number of new wide releases, but only one new movie stood out above all the rest. Read on for the weekend box office report. DreamWorks Animation’s latest, “The Wild Robot,

Francis Ford Coppola’s decades-in-the-making, self-financed epic “Megalopolis” flopped with moviegoers, while the acclaimed DreamWorks Animation family film “The Wild Robot” soared to No. 1 at the weekend box office.

Lupita Nyongo's animated adventure "Wild Robot" is the No. 1 movie in North America, earning $35 million in receipts, BoxOfficeMojo.com announced Sunday.

Warner Bros. and Tim Burton’s sequel “Beetlejuice Beetlejuice” and Paramount’s animated “Transformers One” topped international box office charts over Universal and DreamWorks Animation’s “The Wild Robot.

Francis Ford Coppola’s decades-in-the-making, self-financed epic “Megalopolis” flopped with moviegoers, while the acclaimed DreamWorks